空间·时间·仪式:传播形态与先秦口传文学体式的早期生成  

Space,Time and Rites:Dissemination Forms and the Early Formation of Pre-Qin Oral Literature Style

作　　者：冯海霞 耿战超[3] Feng Haixia;Geng Zhanchao(School of Liberal Arts and Journalism,Inner Mongolia University,Hohhot 010070,China;School of literature and Journalism,Jining Normal University,Ulanqab 012000,China;College of Chinese Language and Culture,Sichuan International Studies University,Chongqing 400031,China)

机构地区：[1]内蒙古大学文学与新闻传播学院,内蒙古呼和浩特010070 [2]集宁师范学院文学与新闻传播学院,内蒙古乌兰察布012000 [3]四川外国语大学中国语言文化学院,重庆400031

出　　处：《西北民族大学学报（哲学社会科学版）》2022年第3期160-169,共10页Journal of Northwest Minzu University(Philosophy and Social Sciences)

基　　金：教育部人文社会科学青年项目“两汉校书与经学形态的变动研究”(项目编号:19YJCZH038);四川外国语大学一般项目“校书与汉代经学形态之演进”(项目编号:sisu2018018)。

摘　　要：在中国早期口传文学的传播形态中,对于空间、时间因素的重视,是为了保证历史文化记忆传播的有效性与长久性,这也决定了文学体式的内在结构与叙事形态的生成。而之后的诗乐舞一体的多维艺术形态,以及仪式活动举行的典型场景,在为历史文化记忆传播提供更为优越保证的同时,也使得文学作品形成了特定的表述方式与审美趣味。先秦文学发展过程中,正是传播机制与形态的变换,对文学体式产生着变革的要求,并最终决定了文学作品呈现的基本面貌。In the dissemination forms of early Chinese oral literature,the emphasis on the spatial and temporal factors is to ensure the validity and permanence of the dissemination of historical and cultural memories,and this has determined the internal structure and narrative form of the literary style.The multi-dimensional artistic form of the trinity of poetry,music and dance,as well as the typical scenes for ritual activities,has provided a more superior guarantee for the dissemination of historical and cultural memories,and also helped the literary works form a specific way of expression and aesthetic taste.During the development of pre-Qin literature,the change of the dissemination mechanism and forms requires the literary style to change accordingly and determine ultimately the basic appearance of literary works.

关 键 词：文学作品 口传形态 文学体式 先秦 诗乐舞一体 

分 类 号：I207[文学—中国文学]