论延安文艺的人民性审美特征  

On the Aesthetic Characteristics of the People’s Affinity Of the Literature & Arts of Yan’an

作　　者：朱鸿召 Zhu Hongzhao

机构地区：[1]复旦大学马克思主义学院

出　　处：《上海文化》2022年第6期13-23,共11页Shanghai Culture

基　　金：国家社科基金一般项目《延安时期文化政策史料整理与研究》(项目号:18BDJ060)的阶段性研究成果。

摘　　要：把延安文艺放在中国百余年历史进程中去观察审视,可以确定人民性是其最为本质的审美特征。人民性是马克思主义最鲜明的品格,是中国共产党的政党性质在文艺审美上的最高要求。中国共产党领导人民革命,不仅要夺取国家政权,而且要推动实现国家现代化。新文学和中国现代文艺运动,因为参与革命进程而融入历史主流。从平民文学、普罗文学、大众文艺,到延安时期工农兵文艺和人民文艺,人民性审美特征像一条红线贯穿其中。“为群众”和“如何为群众”的问题,是延安文艺座谈会倡导实现文艺人民性审美特征的一种历史自觉。文艺的民族性和阶级性是人民性的局部特征和阶段性特征,“文章入伍”“文艺下乡”是延安文艺实现人民性审美理想的路径选择。As for the aesthetic feature of Yan’an literature and arts in China’s history of recent 100 years, the most essential one would be its affinity to the people which is also the most distinctive character of Marxism and the highest requirement of the Communist Party of China in literary and artistic aesthetics. New literature and modern Chinese literature and art movement have been involved in the revolution and thus integrated into the historical mainstream. Maintaining a close affinity with the people has been adhered to as an aesthetic feature from civilian literature, popular literature to the literature and art of workers, peasants and soldiers and people’s literature and art in Yan’an period. The problem of “for the masses” and “how to be for the masses” is a historical consciousness advocated by Yan’an Literature and Art Symposium to realize the aesthetic characteristics of the affinity to the people with ethnicity and class nature as part of its characteristics. Literary workers are encouraged to “participate in the war frontier” and “practice in the countryside” are the ways for Yan’an literature and art to realize its aesthetic ideal of having affinity with the people.

关 键 词：延安文艺 人民性 工农兵文艺 抗日战争 

分 类 号：I206.6[文学—中国文学] J120.9[艺术—艺术理论]