贪腐世风下的艺术鉴藏——以晚宋权臣贾似道为研究对象  

Playing with Power and with Things: Art Collection in the Corruption World, Taking Jia Sidao as the Research Object

作　　者：李姝 LiShu

机构地区：[1]北京建筑大学人文学院

出　　处：《中国文化研究》2022年第2期136-147,共12页Chinese Culture Research

摘　　要：晚宋权臣贾似道是宋季影响最大的艺术鉴藏家。恩荫入仕的贾似道迫切需要文学艺术来装点、打造风雅儒帅形象,金石文物粉饰太平的功用又契合了他好大喜功的心理需求。权位为贾似道的艺术鉴藏提供了财力、物力,使他能无所忌惮地搜罗、索要、侵占大量艺术品,并进行专人专项管理。他召集门客刊书刻帖,聚集文士品赏艺术、悠游唱和,一定程度上推动了宋季风雅的繁盛。在收受雅贿、以艺术品为介质进行钱权交易的同时,贾似道又将艺术品用作权力斡旋的武器。他的艺术鉴藏呈现着权欲的底色,文雅风流中掺杂着贪、诈、粗、豪的权贵气息。后世往往因贾氏的权奸身份而贬低其艺术鉴藏成就。这段建立在权位基础上的团队协作式的艺术活动,打造了鉴藏史上的辉煌,也见证了晚宋政局的贪腐奢靡之风。Jia Sidao, a powerful official in the late Song dynasty, was the most influential art collector in the Song dynasty. After he became an official, Jia Sidao urgently needed literature and art to decorate and create elegant Confucian and refined image, and the function of presenting a false appearance of peace and prosperity of cultural relics met his psychological needs of great success. The position of power provides financial and material resources for Jia Sidao’s art collection, which enables him to collect, demand and occupy a large number of artworks without fear, and carry out special management by special personnel. He summoned his guests to publish books and engrave posts, gathered literati to appreciate art and enjoy leisurely singing, which promoted the prosperity of elegance in the Song dynasty to a certain extent. At the same time, Jia Sidao also used art as a weapon for power mediation. His art collection shows the background of power desire, and his elegant style is mixed with the atmosphere of greed, fraud, coarseness and luxury. Later generations often belittle Jia’s achievements in art collection because of his status as a traitor. This artistic activity of team cooperation based on the position of power created the glory in the history of learning and collection, and witnessed the corruption and extravagance of the Political world in the late Song Dynasty.

关 键 词：贾似道 鉴藏 书画 艺术 雅贿 

分 类 号：J05[艺术—艺术理论]