朱祖谋与“四声词”风气的生成及其得失  

Zhu Zumou and the Formation of the Fashion of“Sisheng-Ci”and Its Gains and Losses

作　　者：沈松勤[1] 赵王玮 SHEN Song-qin;ZHAO Wang-wei(School of Humanity,Hangzhou Normal University,Hangzhou 311121,China)

机构地区：[1]杭州师范大学人文学院,浙江杭州311121

出　　处：《杭州师范大学学报（社会科学版）》2022年第4期26-39,66,共15页Journal of Hangzhou Normal University(Humanities and Social Sciences)

摘　　要：以朱祖谋为代表的近代词人,出于“别是一家”与“传世不朽”的双重焦虑,将前代不彰的“四声词”推向顶峰,旨在重建词体的声律特性。而在朱祖谋引导下的词坛交互过程中,“四声词”风逐渐精细化、理论化、常态化,“守律”俨然成为时风,并且在创作群体的争胜中愈演愈烈。但这种争胜最终又制约了词的创作,所以需要对其得失进行综合评判。虽然它在指导词学创作上的贡献较为有限,但客观上推动了词学律谱的发展,具有一定回顾价值。In the late Qing Dynasty,the Ci writers represented by Zhu Zumou pushed the previously unremarkable Sisheng-Ci to the peak due to the double anxiety of“the separate style”and“immortal”,in order to reconstruct the characteristics of the tone of Ci style.However,in the process of Ci Circles interaction under the guidance of Zhu Zumou,the trend of“Sisheng-Ci”was gradually refined,theorized and normalized,and“keeping the rhythm”became the prevailing trend with much fiercer competition among writers.This kind of competition ultimately restricts the creation of Ci,so a comprehensive evaluation of its gains and losses is supposed to be made.Although its contribution to the creation of Ci poetry is relatively limited,it objectively promotes the development of the rhythm of Ci poetry and has a certain retrospective value.

关 键 词：朱祖谋 四声词 词学创作 词律发展 

分 类 号：I207.23[文学—中国文学] K25[历史地理—历史学]