宋代定窑瓷器中的道家“自然”美学观探究  

An Exploration of the Taoist Aesthetic of"Nature"in Song Dynasty Ding Kiln Porcelain

作　　者：滕明堂[1] 李春红 Teng Mingtang;Li Chunhong(Tianjin University of Science and Technology,Tianjin,300202,China)

机构地区：[1]天津科技大学艺术设计学院,天津300202

出　　处：《陶瓷研究》2022年第3期15-19,共5页Ceramic Studies

摘　　要：“自然”美学观是在老庄哲学基础上形成的艺术观念,主要体现为艺术作品通过造物传达自然无为、崇尚天性的思想观念。探究造物背后承载的传统设计美学观念,有助于强化中国传统美学观念在设计艺术中的重要作用,促进中国设计美学的本土化认同。文章从宋代定窑瓷器研究入手,结合相关文献书籍,梳理道家美学与宋代定瓷的内在联系,分析道家“自然”美学观在宋代定瓷形而上意识形态以及形而下釉色、造型、装饰风格形成中的重要作用。"The aesthetic concept of’nature’is an artistic concept formed on the basis of the philosophy of Laozhuang,which is mainly reflected in the idea that artworks convey the idea of natural inaction and reverence for nature through the creation of objects.Exploring the traditional design aesthetics behind the creation of objects can help strengthen the important role of traditional Chinese aesthetic concepts in design art and promote the localised identity of Chinese design aesthetics.Starting with a study of Song dynasty Ding kiln porcelain,the article draws on the relevant literature and books to sort out the intrinsic links between Taoist aesthetics and Song dynasty Ding porcelain,and to analyse the important role of the Taoist concept of’nature’in the formation of the metaphysical ideology of Song dynasty Ding porcelain,as well as the metaphysical glaze,shape and decorative style.

关 键 词：“自然”美学 道家美学 定窑瓷器 时代美学 

分 类 号：J0[艺术—艺术理论]