基于层次分析法的故宫太和殿脊兽文创产品设计  

CULTURAL AND CREATIVE PRODUCT DESIGN OF THE RIDGE BEASTS ON HALL OF SUPREME HARMONY BASED ON ANALYTIC HIERARCHY PROCESS

作　　者：刘斐斐 徐燕[1] 

机构地区：[1]南通大学艺术学院

出　　处：《包装与设计》2022年第4期134-135,共2页Package & Design

基　　金：教育部协同育人项目《文创产品设计教体系改革》,项目编号:201901243009。

摘　　要：脊兽是中国古代建筑设计文化的载体,是传统文化内涵与艺术表现形式相结合的典范。本文以故宫太和殿戗脊上一组统称为走兽的十个脊兽雕塑为文化原型,综合图像文献调研、纹样色彩提取与文化创意触合等方式,从传承外形、表达意蕴与象征精神的层次出发进行分析,总结出相关文创产品设计方法的系统框架,旨在通过将脊兽元素的艺术风格应用到现代文创产品的设计实践中,打造出吉祥福瑞的科兽文化符号,使其在人们的日常生活中活跃起来。The ridge beasts are the carriers of Chinese ancient architectural design culture.They are models of the combination of expression and cultural connotation.Taking the ten small sculptures of ridge beasts on the Hall of Supreme Harmony in the Forbidden City as examples,this paper builds the system framework for cultural and creative products design from inheriting appearance,conveying the meaning and symbolic spirit through literature research,pattern and color extraction,and cultural and creative integration.By applying the analytic hierarchy process to integrate the ridge beast elements into the design of cultural and creative products,the design aims to enrich and inherit the artistic charm and ideological connotation of the ridge beasts.

关 键 词：故宫太和殿 脊兽 层次分析法 文创产品 设计 

分 类 号：G63[文化科学—教育学]