新老“边缘派”视角解读大阪剧院改造项目——村野藤吾与隈研吾创作思想探析  

Interpretation on Osaka Theater Reconstruction Project from the Perspective of New and Old Fringe Schools:Analysis on the Creative Thoughts of Murano Tengo and Kengo Kuma

作　　者：张慧[1] Zhang Hui

机构地区：[1]东北大学建筑学院

出　　处：《城市建筑》2022年第14期128-130,151,共4页Urbanism and Architecture

摘　　要：隈研吾都市建筑事务所对1958年建成的大阪剧院进行保护改造,并在剧院上方设计了全新的皇家经典酒店。剧院是由著名日本建筑师村野藤吾设计的。隈研吾利用预制混凝土和铝板将村野藤吾著名的唐破风山墙造型进行了重现,由此开启两代日本建筑师的设计对话。本文试图通过对“新”边缘派的定义,以及与“老”边缘派的对比,初步解读项目中所蕴含的创作理念与内涵,希望能理解二者的文化背景并窥探其设计思想。Kengo Kuma Urban Architects restores the 1958 Osaka Theatre and designs a new Royal Classics Hotel above it.The theater was designed by renowned Japanese architect Goto Murano.Kuma’s reconstruction of Murano Fujio’s famous Tang pofeng gable using precast concrete and aluminum panels opens a design dialogue between two generations of Japanese architects.Through the definition of the“new”fringe school and the comparison with the“old”fringe school,this paper tries to interpret the creative concept and connotation contained in the project,hoping to understand the cultural background of the two and to explore their design ideas.

关 键 词：隈研吾 村野藤吾 边缘派 传统文化 

分 类 号：TU921[建筑科学—建筑设计及理论]