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作 者:刘胡鑫 Liu Huxin(School of Design and Art,Changsha University of Science and Technology,Changsha 410114,China)
机构地区:[1]长沙理工大学设计艺术学院,湖南长沙410114
出 处:《纺织报告》2022年第8期68-71,共4页
基 金:湖南省长沙理工大学研究生科研创新项目“苗族扎染的文化溯源与创新应用研究”(SJCX20298)。
摘 要:通过扎染历史溯源及其价值发展探究,文章从材料视角对比分析传统扎染与现代扎染在具体与抽象、平面与立体及静态与动态等视域空间上的艺术表现,并以扎染在面料、服饰上不同装饰形态的案例分析,着重论述材料技术进步及审美观念变迁下的现代扎染装饰形态特征,分析指出扎染艺术在面料与服饰应用中的创新演变,体现了科学技术与传统工艺的融合创新,反映出多工艺集成的装饰形态延展探究是发挥扎染能动性的创新发展路径。By tracing the history of tie dyeing and exploring its value development, this paper compares and analyzes the artistic expression of traditional tie dyeing and modern tie dyeing in the visual space of concrete and abstract, plane and three-dimensional, static and dynamic from the perspective of material, and focuses on the characteristics of modern tie dyeing decorative form under the progress of material technology and the change of aesthetic concept by analyzing the cases of different decorative forms of tie dyeing on fabrics and clothing, the analysis points out that the innovation and evolution of tie dyeing art in the application of fabrics and clothing reflects the integration and innovation of science and technology and traditional processes, and reflects that the extension and exploration of decorative forms with multi-process integration is an innovative development path to give full play to the initiative of tie dyeing.
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