从日本内阁文库藏叶宪祖杂剧看南杂剧之新变  

New Changes in Southern Dramas by Analyzing the Collection of Ye Xianzu's Dramas Stored in the Japanese Cabinet

作　　者：隋雪纯 SUI Xuechun(Department of Chinese Language and Literature,Peking University,Beijing 100871,China)

机构地区：[1]北京大学中国语言文学系,北京100871

出　　处：《平顶山学院学报》2022年第4期30-37,共8页Journal of Pingdingshan University

摘　　要：日本内阁文库所藏明万历刊本《易水歌》《三义记》《渭塘梦》《琴心雅调》的作者为叶宪祖,内阁文库本《易水歌》较国内所见诸本为早。通过对四种杂剧的文本考察,可知其与史传、小说和杂剧等具有跨文体互文性。叶宪祖采用增改、详略剪裁情节及转换叙述角度等改编方式进行杂剧创作,从中可以见出明代中晚期文人杂剧具有体制南化,剧本案头化、文章化和重视“情”之特色;叶宪祖杂剧抒发“情”的同时调和伦理教化主题,导致部分作品情节失于牵合,体现出明代中晚期文人思想的矛盾与冲突。The Ming Wanli publications"Yishui Song","Sanyi Ji","Weitang Dream"and"Qin Xin Ya Diao"in the Cabinet Library of Japan were written by Ye Xianzu.The cabinet library version"Yishui Song"is earlier than the domestic version.By examining the texts of the four kinds of operas,it can be seen that they have cross-style intertextuality with historical biography,novels and operas.Ye Xianzu used adaptation methods such as additions and changes,editing of plots in details,and changing narrative angles to create opera.From which,it can be seen that the literati opera in the middle and late Ming Dynasty has the characteristics of southernization of the system,desk-based,article-oriented and emphasis on"feelings";Ye Xianzu's opera expresses"feelings"and reconciles the theme of ethical educationas well,which leads to the lack of plots in some works.It also reflects the contradictions and conflicts of literati thought in the middle and late Ming Dynasty.

关 键 词：叶宪祖 晚明杂剧 南杂剧 

分 类 号：I207.22[文学—中国文学]