文学地理学视阈下古典诗歌中的“猿声”意象研究  

An Image Study of"Ape Sound"in Classical Chinese Poetry in the View of Literary Geography

作　　者：杨操 YANG Cao(College of Liberal Arts,Yunnan Normal University,Kunming 650500,China)

机构地区：[1]云南师范大学文学院,云南昆明650500

出　　处：《洛阳理工学院学报（社会科学版）》2022年第4期75-77,共3页Journal of Luoyang Institute of Science and Technology：Social Science Edition

基　　金：国家社会科学基金重点项目“二十世纪以来日本学者中国古典诗学研究目录汇编与学术史考察”(编号:20&ZD288)的阶段性成果.

摘　　要：在中国古典诗歌中,“猿声”是一个出现频率较高的文学意象。猿的活动范围主要在长江流域,“猿声”意象的出现可追溯到《楚辞》,而大量用例则是南北朝时期。从文学地理学视阈看,长江上游到中游地区构成了“猿声”的主要地理空间。作为长江流域特别是巴东三峡自然景观之一的“猿”,以其独特的高亢悲鸣及其所生活的特殊地域空间,引起羁旅、流寓、被贬等过往文人的情感共鸣。在“猿声”意象的漫长发展定型中,地理环境因素起到了重要作用。In classical Chinese poetry,"ape sound"is a literary image with a high frequency of appearance.The activity range of apes is mainly in the Yangtze River basin.The appearance of the"ape sound"image can be traced back to The Songs of Chu,and a large number of cases were found during the Northern and Southern Dynasty.From the perspective of literary geography,the upper to the middle reaches of the Yangtze River constitutes the main geographical space of the"ape sound".As one of the natural landscapes of the Yangtze River basin,especially the Badong Three Gorges,the"ape"image has aroused the emotional resonance of the past literati,living and being exiled,with its unique high and sad crying and the special regional environment.In the long development of the poetic meaning of"ape sound",the geographical environment factors have played an important role.

关 键 词：文学地理学 古典诗歌 “猿声”意象 

分 类 号：I207.22[文学—中国文学]