英雄形象的塑造、解构与归来——武松形象的现代改编  

The Shaping,Deconstruction and Return of Hero Image--Modern Adaptation of Wu Song’s Image

作　　者：程娟娟 CHENG Juan-juan(College of Humanities and Journalism,Heze University,Heze 274015,China)

机构地区：[1]菏泽学院人文与新闻传播学院,山东菏泽274015

出　　处：《聊城大学学报（社会科学版）》2022年第5期31-38,共8页Journal of Liaocheng University:Social Science Edition

基　　金：山东省社会科学规划项目(17DZWJ04):媒介融合时代《水浒传》的传播与接受研究。

摘　　要：《水浒传》中的武松形象被金圣叹誉为“天人”,历来得到读者的肯定和赞扬。民族危亡之际,武松被塑造成为“侠之大者”的完美英雄,成为了被压迫阶级的代言人。在消费主义思潮冲击下,武松的英雄形象被肆意解构,呈现出凡俗甚至庸俗的一面。在英雄情结的作用下,武松形象出现了回归的趋向,这显示了人们对英雄的崇拜与敬仰,渴望从英雄的正面形象中获取精神力量。The image of Wu Song in Water Margin is praised as"heaven and man"by Jin Sheng tan,and has always been affirmed and praised by readers.At the time of national crisis,Wu Song was shaped as the perfect hero of"the great Xia"and the spokesman of the oppressed class.Under the impact of consumerism,Wu Song's heroic image was wantonly deconstructed,showing a vulgar or even vulgar side.Under the action of hero complex,the image of Wu Song has a tendency to return,which shows people's worship and admiration for heroes and their desire to obtain spiritual power from the positive image of heroes.

关 键 词：英雄 武松 《水浒传》 解构 回归 

分 类 号：I207.3[文学—中国文学]