能指优势与语音凸显:新诗语言艺术的智慧与疏拙  

Signifier Advantage and Phonetic Prominence:The Wisdom and Clumsiness of the Language Art of Modern Poetry

作　　者：向天渊[1,2] XIANG Tian-yuan(Modern Chinese Poetry Research Institute,Southwest University,Chongqing 400715,China)

机构地区：[1]西南大学中国诗学研究中心,重庆400715 [2]西南大学中国新诗研究所,重庆400715

出　　处：《南昌大学学报（人文社会科学版）》2022年第4期108-117,共10页Journal of Nanchang University(Humanities and Social Sciences)

基　　金：中央高校基金创新团队项目“中外诗歌发展问题研究”(SWU2009110);国家社会科学基金项目“现代汉语的诗性潜质与中国新诗的语言智慧研究”(15BZW150)。

摘　　要：诗歌能指优势、语音凸显的命题,源自诗学、语言学的交互视野,强调削弱、压制所指呈现,延长能指感知时间、强化感知难度。就汉语诗歌所凭借的汉字媒介而言,除了通过声音,还能经由视像传达审美感受,其诗性功能比表音文字更加强大。虽然古典诗歌中看得到也听得见的格律声色之美,很难在新诗中复兴或重现,但现代汉语毕竟还是汉语,新诗不仅多层面地展示了能指优势,也通过多种语音修辞,凸显出诗语的声音效能,不乏声韵和谐、音质优美的作品,当然,古今语音凸显的方式也显出格律-外在节奏与自然-情绪节奏的差别。还需注意的是,能指、所指是一体两面、相互形塑的符号共同体,诗歌语言必须经由情感和思想的灌注才能获取生命及灵魂。The proposition of the superiority of the signifier and the prominence of pronunciation in poetry originates from the interactive vision of poetics and linguistics,emphasizing weakening and suppressing the presentation of the signified,prolonging the perception time of the signifier and strengthening the difficulty of perception.As far as the medium of Chinese characters that Chinese poetry relies on,in addition to sound,it can also convey aesthetic feelings through visuals,and its poetic function is more powerful than phonetic writing.Although the beauty of rhythm,sound and color that can be seen and heard in classical poetry is difficult to revive or reproduce in new poetry,modern Chinese is still Chinese after all.Highlighting the vocal performance of poetry,there are many works with harmonious rhythm and beautiful sound quality.Of course,the way in which ancient and modern voices are highlighted also shows the difference between metrical-external rhythm and natural-emotional rhythm.It should also be noted that the signifier and the signified are a symbol community formed by one body and two sides,and the poetic language can only obtain life and soul through the perfusion of emotion and thought.

关 键 词：能指优势 语音凸显 新诗艺术 符号共同体 

分 类 号：I052[文学—文学理论]