“孤岛”上的《剧场艺术》:一种戏剧演出的“教科书”  

Theatre Arts on the“Isolated Island”:A Study of the“Textbook”of Theatre Acting

作　　者：袁联波[1] YUAN Lianbo

机构地区：[1]成都大学文学与新闻传播学院、文明互鉴与“一带一路”研究中心

出　　处：《戏剧艺术》2022年第3期62-72,共11页Theatre Arts

摘　　要：《剧场艺术》的核心栏目为“演剧理论”,偏重于译介斯坦尼斯拉夫斯基等人的苏联表导演理论,注重介绍英、法、德等国戏剧家的表导演理论、方法和经验,并重视发表中国戏剧家的演剧理论。顾仲彝、吴仞之(孤岛),张骏祥(大后方),张庚(延安)等人的论文体现了当时中国三种政治环境下演剧研究的理论视野;而石叔明则主要探讨了流动演剧的布景、照明、化装等。《剧场艺术》亦用一定篇幅报道“孤岛”、外省市及国际戏剧界的活动。对于三种报道对象,该刊分别采用了“编年式”“事件性”“主题性”等叙事方式,以不同方式全方位地呈现出当时的戏剧图景。《剧场艺术》对推动当时中国话剧表导演艺术发挥了较大作用。从这一意义上讲,该刊堪称其时青年戏剧人舞台实践的“教科书”。The core column of Theater Arts was“Theory of Acting”,which focused on the translation and introduction of the Soviet theories of acting and directing,such as those of Stanislavsky and others,and also paid attention to the introduction of the acting and directing theories,methods and experience of theatre specialists in Britain,France and Germany,as well as the publication of the acting theories of Chinese experts.The articles of GU Zhongyi and WU Renzhi(“Isolated Island”),ZHANG Junxiang(Rear Area),and ZHANG Geng(Yan'an)embodied the theoretical vision of acting research in the three different political environments of China at that time,while SHI Shuming mainly discussed the setting,lighting and make-up of travelling acting.Theater Arts also devoted a certain space to the report of the activities of theatrical circles in the“Isolated Island”,other cities,provinces and nations.For the three objects of report,the journal adopted three different narrative methods—“chronology”,“event”and“theme”respectively,showing a panorama of theatre acting at the time.Historically,the journal played an important role in promoting the art of acting and directing in Chinese theatre.In this sense,it can be regarded as the“textbook”for the stage practice of young theatre specialists at that time.

关 键 词：剧场艺术 孤岛 栏目设置 演剧艺术 理论与方法 

分 类 号：J80[艺术—戏剧戏曲]