让·塔尔迪厄基于声音的抽象戏剧实验  

Jean Tardieu's Voice-based Experiments of Abstract Drama

作　　者：李佳颖 LI Jiaying

机构地区：[1]复旦大学外文学院

出　　处：《戏剧艺术》2022年第3期163-173,共11页Theatre Arts

摘　　要：让·塔尔迪厄是第二次世界大战后法国重要的先锋剧作家。声音是他戏剧创作的核心。塔尔迪厄对戏剧革新的贡献具体表现在戏剧创作的实验性、作品语言的音乐性及演出的先锋性三方面。他借鉴音乐的创作模式,通过对能指所构成的“次语言”的探索,谱写以声音为主体的“空的戏剧”。他以抽象美学为指导的戏剧实验被先锋导演雅克·波列里用作“整体戏剧”理念的实践素材,为法国戏剧舞台带去了抽象之风。Jean Tardieu was an important French avant-garde playwright after World War Ⅱ, whose dramatic creation focused on voice. Tardieu’s contribution to drama innovation was embodied in three aspects: experimental creation, musical language and avant-garde performance. Inspired by the ways of music composition, he explored the “sub-language” of the signifier and wrote the “blank drama”, in which voice was the main subject. His experiments of abstract drama were used by the avant-garde director Jacques Polieri as a source of material for his concept of “total theatre”, which brought a climate of abstraction to French theatre.

关 键 词：让·塔尔迪厄 抽象 声音 雅克·波列里 二战后法国先锋戏剧 

分 类 号：J80[艺术—戏剧戏曲]