浅析以个人情感为中心的展览构建——以“我们的家”为例  

An Analysis of the Construction of Exhibitions Centered on Personal Emotions:Taking My Family as an Example

作　　者：李吉光[1] Li Jiguang

机构地区：[1]首都博物馆,北京100045

出　　处：《博物馆管理》2022年第2期68-74,共7页Museum Management

摘　　要：以个人情感展示为中心的展览,一直未能得到博物馆学界的关注。本文分析了这类展览的代表——“我们的家”的策划思路、传播方式和情感表达,认为展览遵循了博物馆的策展方法,以物叙事,构建了完整的叙事线索;借鉴了博物馆的传播方式,通过邀请制的参观方式和戏剧化的互动方式完成展览的传播过程,有可圈可点之处。但与享誉世界的纯真博物馆相比,展览没有将个人情感与时代和地域相结合,在处理时代与个人关系时仍显得无力。尽管如此,以“我们的家”为代表的个人情感的博物馆化表达仍将对博物馆未来发展产生影响:第一,为博物馆教育提供了新的方法与思路;第二,为博物馆文创提供了新模式;第三,如能积累更多样本,个人情感展示将具有社会学的意义。Exhibitions centered on personal emotions have not received enough attention in museological research. This paper analyzes the planning idea, communication method and emotional expression of My Family, a representative of this kind of exhibition, and concludes that the exhibition is noteworthy in that it follows the curatorial method of museums, narrates properly with objects and successfully builds a complete narrative thread. However, compared with the world-renowned Museum of Innocence, the exhibition does not combine personal emotions with the time and place. Still, it seems weak in dealing with the relationship between the time and the individual. Nevertheless, the museumization of personal emotions like My Family will have an impact on the future development of museums: first, it provides new methods and ideas for museum education;second, it gives a new model for museum creative industry;third, as more samples are accumulated, the display of personal emotions shall have sociological significance.

关 键 词：情感展示 纯真博物馆 博物馆文创 “我们的家” 

分 类 号：G265[历史地理—考古学及博物馆学]