知识经济理论视角下网络漫画《阎王不高兴》对神话资源的应用  

The Application of Mythological Resources in the Network Comics Yama Is Unhappy from the Perspective of Knowledge Economy Theory

作　　者：侯姝慧[1] 蔡菀欣 Hou Shuhui;Cai Wanxin(School of Chinese Language and Literature,Shanxi University,Taiyuan 030006,Shanxi)

机构地区：[1]山西大学文学院,山西太原030006

出　　处：《长江大学学报（社会科学版）》2022年第3期14-22,共9页Journal of Yangtze University（Social Sciences Edition）

基　　金：国家社会科学基金重大项目“山陕豫民间文化资源谱系与创新性发展的实证研究”(19ZDA185)。

摘　　要：21世纪以来,网络漫画已经成为国内漫画的主要形式,是典型的知识经济表现形式之一。传统文化,特别是神话等重要文体和内容,作为文化创作的资源,受到漫画创作群体的青睐。以《阎王不高兴》为例,在梳理网络漫画对中国神话资源的应用内容、方式的基础之上,分析其应用特点,探讨网络漫画在神话传承过程中的作用和意义,能为神话作为文化资源在当下以及未来的再生产提供意见。Since the 21 st century,network comics have now become the main form of domestic comics,which is one of the typical forms of knowledge economy expression.Traditional culture,especially important genres and contents such as myths,is favored by the comic creation community as a resource for cultural creation.Taking Yama Is Unhappy as an example,on the basis of combing the contents and methods of the application of network comics to Chinese mythology,its application characteristics were analyzed,and the role and significance of network comics in the process of mythological inheritance were explored,which can provide suggestions for the reproduction of myths as cultural resources at present and in the future.

关 键 词：神话 神话主义 网络漫画 知识经济 

分 类 号：B932[哲学宗教—宗教学]