艺术史理论中的科学性与思想性  

The Scientificity and Theorization in the Theory of Art History

作　　者：王一川[1] WANG Yi-Chuan(ResearchCenter for Literature and Art,Beijing Normal University,Beijing 100875)

机构地区：[1]北京师范大学文艺学研究中心,北京100875

出　　处：《艺术百家》2022年第3期1-10,共10页Hundred Schools In Arts

摘　　要：艺术学理论学科下的艺术史理论有两个不可缺少的维度,即科学性原理和思想性原理。艺术史理论的科学性原理主要指向其拟科学属性、知识统一性或社会进化论思想等追求,而艺术史理论的思想性原理则带有创立新史识、以新史识替换旧史识或借助跨学科方法去发现新史识等特定内涵,这使得艺术史中的科学性和思想性都分别不同于自然科学的科学性和其他人文社会科学的思想性,而是具有变异性和不确定性。这意味着艺术史理论中的科学性与思想性之间形成相互交融,即艺术史书写中的可靠性、可信度等确定性追求与艺术品中蕴含的思想、观念、情感等多重不确定内涵之间实现某种相互涵濡。The Theory of Art History under the discipline of the Theory of Art Studies has two indispensable dimensions,namely the scientificity principle and the theorization principle.The scientificity principle of Theory of Art History mainly points to the pursuit of its mimetic scientific properties,intellectual unity or social evolutionary ideas,while the theorization principle of the Theory of Art History carries specific connotations such as creating new historical knowledge,replacing old historical knowledge with new historical knowledge or discovering new historical knowledge through interdisciplinary approaches,which makes the scientificity and theorization principles of the Theory of Art History different from the scientificity of natural sciences and the theorization of other humanities and social sciences,respectively,but variable and uncertain.This means that the scientificity and theorization principles of the Theory of Art History are intertwined,i.e.,the certain pursuits in art historical writings such reliability and credibility and the multiple uncertain connotations such as thoughts,concepts,and emotions,through which a two-way acculturation and enculturation is achieved.

关 键 词：艺术史理论 科学性 思想性 相互涵濡 

分 类 号：J0[艺术—艺术理论]