“缘情绮靡”阐释史与古典诗学的嬗变  

The Interpretation History of “Beautiful Love” and the Evolution of Classical Poetics

作　　者：陈璐[1,2] CHEN Lu(College of Arts,Central China Normal University,Wuhan,Hubei 430079;School of Arts,Nanjing Xiaozhuang Universily,Nanjing,Jiangsu 211171)

机构地区：[1]华中师范大学文学院,湖北武汉430079 [2]南京晓庄学院文学院,江苏南京211171

出　　处：《中国文学研究》2022年第3期104-111,共8页Research of Chinese Literature

基　　金：国家社会科学基金重大招标项目“历代别集编纂及其文学观念研究”(21&ZD254);江苏省社会科学基金后期资助项目“晋唐时期陆机诗歌接受研究”(21HQ049);江苏省高校哲学社会科学研究一般项目“陆机诗文接受与批评研究”(2021SJA0466)。

摘　　要：唐代以前,缘情与绮靡一般分开使用,缘情作为创作方法得到赞赏,而绮靡作为创作风格受到批评。唐代实行科举取士,缘情绮靡作为文章标准被广泛运用,缘情与象物联系,追求象外之象的境界。宋代诗歌崇尚平淡自然,缘情绮靡受到一定批评,但将缘情与自然联系,追求自然天成的境界。明代复古思潮盛行,缘情绮靡被贬为六朝之弊,但部分论者从诗史角度进行肯定,特别是吴中文人的推崇,体现了吴地文化特色。清代重在探讨言志与缘情的关系,两者关系决定缘情绮靡的批评向度,清人甚至以之反对诗坛不良风气,具有较为丰富的内涵。Before the Tang Dynasty,Yuan Qing and Qi Mi were generally used separately. Yuan Qing was praised as a creative method,while Qi Mi as a writing style was criticized,but it was not widely used. In the Tang Dynasty,the imperial examination was carried out to select officials,which was widely used as the article standard. The emotion was also connected with the image and the object to pursue the realm of the image outside the image. The Song Dynasty poetry advocated the plain nature and the beautiful emotion. Yuan Qing and Qi Mi have been criticized to some extent,but Yuan Qing is used to connect fate with nature to pursue the realm of nature. In the Ming Dynasty when the trend of reviving the ancients was prevailing,“beautiful love”was demoted as the disadvantage of the Six Dynasties. However,some critics affirmed it from the perspective of poetry history,especially the esteem of scholars of Wu area,which reflected the cultural characteristics of Wu. The Qing Dynasty focused on discussing the relationship between expressing will and feeling. The relationship between the two decided the critical dimension of the rich emotion,and it is even used to oppose the bad atmosphere in the poetry world.

关 键 词：缘情绮靡 阐释史 古典诗学 

分 类 号：I206.09[文学—中国文学]