心文学:从《金刚经》谈佛教文学的写作之道  

A Study on the Principle about Creation of Buddhist Literature that is Named Literature Rooted in the Mind under the Direction of Diamond Sutra

作　　者：任传印[1] Ren Chuanyin(Xiangtan University)

机构地区：[1]湘潭大学文学与新闻学院

出　　处：《写作》2022年第4期61-69,共9页Writing

基　　金：国家社科基金青年项目“百年中国佛教文学的现代性研究(1912-2016)”(项目编号:17CZW049)。

摘　　要：基于佛法智慧与创作实践,佛教文学的写作之道可归结为:心文学。作者方面,以修心涵养人格,具有菩提心、超越意志与般若智慧,般若智慧包括悟空和妙有两个境次,妙有之境对创作极为重要;作品方面,以写心建构作品内容,包括心灵的深度、广度、质地,三方面有机结合,积极与现代心理学对话,因应人间佛教的趋势,提供审美价值与终极关怀,体现佛家的心学智慧;接受方面,作品以接心服务大众,读者主要是信众与佛学爱好者,兼涉其他,作者须有调适意识,佛教文学理论与批评需协同发展。在新时代的民族复兴与文化建设中,心文学有其理论与实践意义。Based on Buddhist doctrine and creation,the principle about writing of Buddhist literature could be named literature rooted in mind.From the author’s side,he should cultivate the mind and personality,possess the mind for bodhi,the will of transcendence and prajna,prajna contains the emptiness of nature and dependent origination,dependent origination is very important to creation.From the works’side,the contents should be created by descriptions of our mind,they contain three aspects that are depth,extent and quality,the three are combined.They could have conversations with modern psychology,show the trend of humanistic Buddhism,provide aesthetic value and ultimate concern,embody Buddhist wisdom about the mind.From the side of literary acceptance,the works provide enlightenment for the common,most of them are Buddhist believers and lovers,the other readers are also considered,the authors should have the consciousness of adjustion.Buddhist literary criticism should have cooperative development.In the new era,facing the rejuvenation of the Chinese nation and cultural construction,the thought of the literature rooted in the mind has specific theoretic and practical value.

关 键 词：心文学 文字般若 修心 写心 接心 

分 类 号：H315[语言文字—英语]