影响的欣悦:道家思想与西方现代艺术的跨时空对话——以老子与赖特为例  

Pleasure of Influence:The Dialogue across Time and Space between Taoist Thought and Western Modern Arts:Taking Laozi and Wright as Examples

作　　者：宋伟 柳思如[3] Song Wei;Liu Siru(the Institute of Artsand Humanities,Shanghai Jiao Tong University;the Research Centre of Humanities and Arts,Northeast University;School of Marxism,Northeast University,Shenyang,Liaoning,110819)

机构地区：[1]上海交通大学人文艺术研究院 [2]东北大学人文艺术研究中心,辽宁沈阳110819 [3]东北大学马克思主义学院,辽宁沈阳110819

出　　处：《民族艺术研究》2022年第4期24-31,共8页Ethnic Art Studies

基　　金：国家社会科学基金重大项目“马克思主义视域中的资本现代性与审美现代性问题研究”(项目批准号:13&ZD071)的阶段性研究成果。

摘　　要：20世纪以来,伴随与日俱增的西方文化危机意识,以道家哲学为代表的东方思想引起西方学界的广泛关注。西方学者在“发现东方”的过程中,看到了克服危机的可能性和希望,积极探寻解决现代性危机的替代性方案,由此形成了“东方转向”的文化思想潮流。作为西方现代建筑艺术美学的开拓者,赖特深受老子及其道家哲学思想的影响,构建其独具特色的有机建筑论,成为“东风西渐”的重要文化事件和典型范例。勘察与回溯“老子与赖特”之间的跨时空文化交流互鉴,对于拓展跨文化艺术史的研究视野,将具有特殊的学术意义和当代价值。Since the beginning of the 20^(th)century,along with the increasing consciousness of the Western cultural crisis,oriental thought,which is represented by Taoist philosophy,has aroused widespread concern in the Western academic circle.In the process of “discovering the East”,Western scholars saw the possibility and hope of overcoming the crisis so that they actively explored alternative solutions to the crisis of modernity.Therefore a cultural and ideological trend of “oriental turn” was formed.As a pioneer of Western modern architectural aesthetics,Wright was deeply influenced by Laozi and his Taoist philosophy,and he constructed his own unique Organic Architecture theory,which has become an important cultural event and typical example of “the West learning from the East”.Researching and reviewing the cultural exchanges and learning between Laozi and Wright will have special academic significance and contemporary value for expanding the research perspective of cross-cultural art history.

关 键 词：跨文化艺术史 比较艺术史 赖特 道家美学 东风西渐 

分 类 号：J02[艺术—艺术理论]