汉字文化与日本诗赋之兴——以《怀风藻》的诞生为中心  

Chinese Character Culture and the “Rise of Poetry and Fu” in Japan: Focusing on the Birth of the Kaifūsō

作　　者：司志武[1] SI Zhiwu(School of Foreign Languages,Jinan University,510632,Guangzhou,China)

机构地区：[1]暨南大学外国语学院,广州510632

出　　处：《北方工业大学学报》2022年第4期63-68,90,共7页Journal of North China University of Technology

基　　金：国家社会科学基金重大项目“日本汉文古写本整理与研究”(14ZDB085)。

摘　　要：日本古代从无文字走向有文字的文明社会得益于接受汉字文化,在此基础上日本文学早期形态诗歌于7世纪中后期出现。日本诗歌一开始就存在汉语诗歌(汉诗)与倭语诗歌(和歌),不过大多数文学史著述对这两种语言的诗歌评价与态度存在明显的“温度差”。理解这种现象需要回到日本接受汉字文化的历史背景中,明辨以《怀风藻》为代表的汉诗与以《万叶集》为代表的和歌之间并非对立、优劣的关系,而是互相成就、相得益彰。The early form of Japanese literature, poetry, emerged in the seventh century on the basis of the acceptance of Chinese character culture as the basis for Japan’s ancient transition from an unwritten to a written civilization. From the beginning of Japanese poetry, there existed both Kanshi and waka, although most literary history writings have a obvious “temperature difference” in their evaluation and attitude toward poetry in these two languages.To understand this phenomenon, it is necessary to return to the historical context of Japanese acceptance of Chinese character culture, and to identify the relationship between Chinese poetry, represented by the Kaifūsō, and waka, represented by the Manyōsyū, not as opposing or inferior, but as a mutual achievement.

关 键 词：和歌 汉诗 汉字文化 《怀风藻》 《万叶集》 

分 类 号：I109.2[文学—世界文学]