文艺“剧中人”与历史“剧作者”——《龙江颂》剧组在葛隆大队的经历  

Characters in Literature and Arts and the Playwrights of History: The Experience of the Ode to Longjiang Production Crew at Gelong Village

作　　者：赵月枝 白洪谭 ZHAO Yuezhi;BAI Hongtan(Tsinghua University,Beijing 100084,P.R.China;Jinan University,Jinan 250024,P.R.China)

机构地区：[1]清华大学,北京100084 [2]济南大学,山东济南250024

出　　处：《重庆大学学报（社会科学版）》2022年第4期162-171,共10页Journal of Chongqing University(Social Science Edition)

摘　　要：习近平总书记在2014年文艺工作座谈会上关于“人民是历史的‘剧中人’,也是历史的‘剧作者’”的讲话为文艺作品的研究带来了新的思路和视角,文章以此为起点思考样板戏《龙江颂》创作中背后的“剧中人”与“剧作者”。作为社会主义建设时期重要的文化符号,《龙江颂》主题经过不同文艺工作者近十年的创作,形成了报告文学、新闻报道、诗歌、话剧、样板戏等文艺形式。1969—1970年,现代革命样板戏《龙江颂》剧组三次在上海嘉定外冈公社葛隆大队体验生活,以时任党支部书记周丽琴为代表的葛隆大队的干部群众也成了《龙江颂》背后的“剧中人”与“剧作者”,演员李炳淑所观察和学习的周丽琴成为《龙江颂》女主角江水英的舞台形象原型。作为社会主义建设时期新农村的典型代表,葛隆大队为《龙江颂》的创作提供了宝贵的生产劳动体验,《龙江颂》的演出也鼓舞了葛隆大队的生产实践并在教育和召唤群众成为社会主义建设主体方面起到了积极的作用。文章以周丽琴、薛友忠等口述历史为基础,结合相关文献,回溯《龙江颂》剧组在葛隆大队的创作细节,挖掘舞台背后的历史,努力呈现艺术创作与人民群众生产生活之间的关系,进而补充了《龙江颂》的创作史料和历史语境,为研究者重思文艺与人民群众生产生活的关系,还原艺术创作与人民生活相互影响、相互塑造的过程提供一个历史性的参照。《在延安文艺座谈会上的讲话》八十周年之际,回溯《龙江颂》剧组在葛隆大队的经历,对于实现“剧中人”与“剧作者”新的连接以及思考在新时代如何产生像《龙江颂》这样具有思想引领作用的文艺作品具有启发意义。General Secretary Xi Jinping’s speech at the 2014 Symposium on Literature and Art Work on “the people are the ‘players’ of history and the ‘players’ of ‘history’” brought new research ideas and perspectives to literary and artistic works. The article takes this as a starting point to think about the “players” and “players” behind the creation of the model play “Ode to the Longjiang”.As an important cultural symbol in the period of socialist construction, the theme of “Ode to the Longjiang” has gradually formed the literary and artistic forms of reportage, news reports, poetry, drama, model drama, etc. after nearly ten years of creation by different literary and art workers. From 1969 to 1970, the crew of the modern revolutionary model drama “Ode to the Longjiang” experienced life three times in the Gelong Brigade of Waigang Commune, Jiading, Shanghai. The “player” and “player” behind “Ode to the River”, Zhou Liqin, who was observed and studied by actor Li Bingshu, became the stage image prototype of “Ode to the Longjiang” heroine Jiang Shuiying. As a typical representative of the new countryside during the socialist construction period, the Gelong Brigade provided valuable production and labor experience for the creation of “Ode to the Longjiang”, and the performance of “Ode to the Longjiang” also inspired the production practice of the Gelong Brigade and promoted the creation of “Ode to the Longjiang”. It has played a positive role in calling the masses to become the main body of socialist construction. Based on the oral histories of Zhou Liqin and Xue Youzhong, combined with relevant documents, the article traces the details of the creation of the “Ode to the Longjiang” crew in Gelong Brigade, excavates the history behind the stage, and strives to present the relationship between artistic creation and the production and life of the people. It then supplements the creation historical materials and historical context of “Ode to the Longjiang�

关 键 词：《在延安文艺座谈会上的讲话》 《龙江颂》 葛隆大队 江水英 周丽琴 

分 类 号：F293[经济管理—国民经济] X321[环境科学与工程—环境工程]