美学思想史的肇端与审美意蕴的生成——兼及对当下美学复兴思潮的一种评判  

The Beginning of the History of Aesthetic Thought and the Generation of Aesthetic Implication: Also an Evaluation of the Current Trend of Reviving Aesthetic Thought

作　　者：范玉刚[1] FAN Yugang(The Centerfor Literary Aesthetics,Shandong University)

机构地区：[1]山东大学文艺美学中心

出　　处：《中国人民大学学报》2022年第4期150-158,共9页Journal of Renmin University of China

基　　金：国家社会科学基金重大项目“习近平总书记关于文艺工作重要论述与新时代中国文艺理论学术体系建构研究”(18ZD006)阶段性成果。

摘　　要：苏格拉底“美本身”的提出开启了西方美学思想史的肇端,意味着审美的第一缕晨曦刺破了神秘莫测的“命运”而祈向至善的“境界”,被视为人类第一次审美自觉。美的魅力的彰显源自“命运”与“境界”错落交织的双重审美意蕴,既有对蛰伏其中“命运”的敬畏,更有对“境界”的价值祈向,正是这双重终极性眷注积淀为美的根荄,而蕴蓄于人对自然、艺术、社会和人自身的审美实践。现代美学的每一次远行,都有着对原初审美意蕴的深深回眸,并在实践中深化着对美有别于真和善的价值的领会。当下,某些美学复兴与审美创造,已偏离了审美意蕴的始源内涵,使美学思想下坠为一种轻飘的能指,甚至成为一种纯粹的主观感受。本文通过梳理审美意蕴的历史性生成,强化对美要有敬畏之心和价值祈向之意,从而为今日美学重新上路提供方向性启示。Socrates’ statement of “Beauty itself” is considered as the beginning of the history of Western aesthetic thought, an illumination of the mysterious “Fate” and the “Realm” of perfection.The manifestation of the charm of beauty comes from the dual aesthetic implication of “Fate” and “Realm”.This polarity sets up the foundation of beauty and contains the aesthetic practice of nature, art, society, and man himself.Every adventure of modern aesthetics has of its connection with the original aesthetic implication, and in practice deepens the understanding of the value of beauty different from that of truth and kindness.Combing the historical generation of aesthetic implication, this article emphasizes the awe of and value of beauty.

关 键 词：美学思想史 审美意蕴 美本身 审美自觉 命运 境界 

分 类 号：B82-091[哲学宗教—伦理学]