当代艺术的当代性及其发展趋势探析--以冯放个展《殇》为例  

On the Contemporariness of Contemporary Art and its Development Trend-Take Feng Fang's Solo Exhibition Mourning as an Example

作　　者：王媛[1] Wang Yuan(College of Fine Arts,Northeast Normal University,Changchun Jilin 130117)

机构地区：[1]东北师范大学美术学院,吉林长春130117

出　　处：《流行色》2022年第8期141-143,共3页Fashion Color

摘　　要：在全球化的时代背景下,艺术的定义及表现形式逐渐突破了诸多陈规及壁垒的阻碍。肇始于全球化时代的当代艺术具有显著的多样性和前沿性。本文以2021年彭锋策划的冯放个展《殇》为探讨对象,分析在当今时代的语境下当代艺术的观念、特征及表现手法的独特之处。该展览以候鸟的濒危死亡之态聚焦人与自然,艺术与生活的关系,诠释了当代艺术所独有的“当代性”。以期对当代艺术的未来发展趋势有所了解,呼吁人类思考生命的意义。In the era of globalization,the definition and expression of art have gradually broken through the impediment of many stereotypes and barriers.The contemporary art originated in the era of globalization has remarkable diversity and pioneering characteristic.In this article,feng Fang's solo exhibition Mourning,which was curated by Peng Feng in 2021,is taken as the object of discussion to analyze the unique features,concepts and techniques of expression of contemporary art in the context of the current era.The exhibition focuses on the relationship between human and nature,art and life,and interprets the particular"contemporariness"of contemporary art through the endangered and dying state of migratory birds.In order to understand the future development trend of contemporary art,appeal to mankind to consider the meaning of life.

关 键 词：当代艺术 当代性 自然 艺术材料 人类命运 

分 类 号：J12[艺术—艺术理论]