中国生态博物馆的“生态”研究  

“Ecological” Researchin China Ecological Museum

作　　者：吴秋林[1] 杨春艳[1] WU Qiu-lin;YANG Chun-yan(School of Ethnology and History,Guizhou Minzu University,Guiyang Guizhou 550025,China)

机构地区：[1]贵州民族大学民族学与历史学院,贵州贵阳550025

出　　处：《大连民族大学学报》2022年第4期311-319,共9页Journal of Dalian Minzu University

基　　金：国家社会科学基金一般项目(BMZ127)。

摘　　要：生态博物馆的理论基础是“生态”关系的建立和表达。其主要的路径是把社区区域等同于生态博物馆区域,并且使用布展方式在区域内建立标牌,以实现博物与环境的生态关系建立。中国的生态博物馆建设全景式地实践了这一过程,并且在早期的“六枝原则”中明确了这一理论。早期的“生态”表现中确立了博物与环境关系的经典范式,后期多元化“生态”表现中,还实现了生态学与生态博物馆的融合。最后其生态理念融入中国生态文明建设的地缘政治关系中,成为中国生态文明的重要表现之一。The theoretical basis of ecological museum is the establishment and expression of ecological relations.The main path is to equate the community area with the ecological museum area, and usethe exhibition method to establish signs in the area toachieve the ecological relationships between display and the environment.The construction of ecological museums in China has put this process into practice. However, this theory was specified in the "Liuzhi principle".The early ecological expression established the classical paradigm of the relationships between display and the environment, the integration of ecology and ecological museum has also been realized. Finally, the ecological conceptis integrated into the geopoliticalrelationship of China’s ecological civilization construction, and it has become one of the crucial manifestations in ecological civilization.

关 键 词：生态博物馆区域 生态关系 博物与环境 生态博物馆与生态学 

分 类 号：Q988[生物学—生态学]