体认社会参照点对《理水》反讽艺术的解构  

Deconstruction of irony in Taming the Floods based on embodied-cognitive social reference points

作　　者：张义芬 ZHANG Yifen(School of Foreign Languages and Literature,Beijing Normal University,Beijing 100875,China)

机构地区：[1]北京师范大学外国语言文学学院,北京市100875

出　　处：《外文研究》2022年第3期21-29,39,105,106,共12页Foreign Studies

基　　金：国家社会科学基金项目“基于语料库的英汉反讽对比研究”(15BYY015)。

摘　　要：参照点是一种普遍的认知机制。人们借助参照点认知自我和外界,再借语言实现概念化。本文基于体认社会语言学,提出体认社会参照点,以释析鲁迅《理水》中的反讽艺术。研究发现,《理水》中存在显性、隐性两大类反讽参照,具体的参照模式包括悖论式、鸟巢式、类比式、对比式、中心辐射型和多重交叉型。概言之,反讽参照表征了鲁迅对社会现实的概念化和情感态度,为解读鲁迅《故事新编》中的其他作品提供了可资借鉴的理论支撑。Reference point is a ubiquitous cognitive mechanism.People cognize themselves and the outside world in virtue of reference point,and conceptualize their cognition by dint of language.Based on embodied-cognitive sociolinguistics,embodied-cognitive social reference points are proposed herein to interpret irony in Taming the Floods by Lu Xun.It is found that both explicit and implicit ironic references are manifest in this short story.Specifically,reference models may be reversing,bird s nest-like,analogical,contrastive,radiative or overlapping.In brief,ironic references represent Lu Xun s conceptualization of and attitude toward societal reality,which can serve as a theoretical framework for the interpretation of other works in Lu Xun s Old Stories Retold.

关 键 词：理水 反讽 体认社会语言学 认知参照点 概念化 

分 类 号：H04[语言文字—语言学]