中西喜剧观之比较  

A Comparison between Chinese and Western Comedies

作　　者：陈海燕 CHEN Hai-yan(School of Humanities,Journalism and Communication,Heze University,Heze Shandong 274015,China)

机构地区：[1]菏泽学院人文与新闻传播学院,山东菏泽274015

出　　处：《菏泽学院学报》2022年第4期107-110,共4页Journal of Heze University

基　　金：山东省文化厅艺术科学重点课题(ZD202008034)。

摘　　要：喜剧的产生,是与人的生命需要相系的。喜剧精神是人类或人与生俱来的本能。中西两大文化谱系既具有人类普泛意义上的共性,也有各自文化孕育的独特个性。中西喜剧在产生、发展轨迹和基本特征方面都存在着一定的差异,而这些差异是与各自的文化、思维和审美密不可分的。The production of comedy is closely related to the needs of human life. Comedy spirit is an innate instinct of human beings. The two cultural genealogies of China and the West have both commonalities in the universal sense of mankind and unique personalities bred by their respective cultures. There are certain differences between Chinese and Western comedies in their emergence, development trajectory and basic characteristics, and these differences are inseparable from their respective cultures, thinking and aesthetics.

关 键 词：中西喜剧 悲喜相间 悲喜相分 

分 类 号：I0-03[文学—文学理论]