饰代风华——湖北钟祥市明梁庄王墓出土首饰簪钗形制探究  

Elegant Decoration:A Study on the Shape and System of Jewelry Hairpins Unearthed from the King’s Tomb of Mingliangzhuang,Zhongxiang City,Hubei Province

作　　者：王红[1,2] 杨珺然 WANG Hong;YANG Junran(Wuhan university of Technology,430070 Wuhan Hubei;Hubei University,430060 Wuhan Huibei;Wuhan Polytechnic,430070 Wuhan Huibei)

机构地区：[1]武汉理工大学艺术与设计学院,湖北武汉430070 [2]湖北大学艺术学院,湖北武汉430060 [3]武汉职业技术学院艺术设计学院,湖北武汉430070

出　　处：《设计艺术研究》2022年第4期139-145,共7页Design Research

摘　　要：中国首饰文化源远流长,而簪钗占有举足轻重的地位,特别是明代女子簪钗在式样与纹样方面艺术斐然。而湖北省钟祥市梁庄王墓出土了大量珠饰宝石,通过对湖北钟祥市明梁庄王墓出土的首饰簪钗的式样、纹样进行研究,从文化意韵和审美视角分析簪钗形制中的视觉魅力和精神内涵,并深入探讨构成首饰文化意蕴的几个层面,即妆饰、宫样、意境与艺匠之美。首饰艺术作为工艺美术的一部分,不仅承担了艺术造型的审美意义,也担当起了思想文化的传承的重任,使得人们懂得欣赏与持守自身文化孕育的独特之美。Chinese jewelry culture has a long history,and hairpins have played an important role especially in the Ming Dynasty.A large number of beads and gemstones have been unearthed from the Liangzhuang King’s tomb in Zhongxiang City,Hubei Province.Through the study of the style and pattern of jewelry hairpins unearthed from the Liangzhuang King’s tomb in Zhongxiang City,Hubei Province,this paper analyzes the visual charm and spiritual connotation in the shape of hairpins from the perspective of cultural charm and aesthetics,and discusses the levels that constitute the cultural connotation of jewelry such as makeup,palace pattern,artistic conception and craft beauty.As a part of arts and crafts,jewelry art not only undertakes the aesthetic significance of artistic modeling,but also undertakes the important task of ideological and cultural inheritance,so that people know how to appreciate and maintain the unique beauty bred by their own culture.

关 键 词：簪钗 形制 梁庄王墓 文化意蕴 

分 类 号：J0[艺术—艺术理论]