琴乐之“情”的当代阐释与建构  

Contemporary Interpretation and Construction of the"Emotion"of Qin Music

作　　者：魏圩[1] Wei Wei

机构地区：[1]南京艺术学院音乐学院,江苏南京210013

出　　处：《南京艺术学院学报（音乐与表演版）》2022年第3期101-105,I0004,共6页Journal of Nanjing Arts Institute:Music & Performance

基　　金：2022年度南京艺术学院课程思政专项一般课题“《古琴演奏基础》教学中的思政设计”(项目编号:2022JYYB01)阶段性成果;2021年度江苏省社科基金文脉专项一般项目“江苏古琴史”(项目编号:21WMB017)阶段性成果。

摘　　要：“情”是中国古琴美学中极为重要的范畴。以查阜西、管平湖、吴景略等为代表的当代琴家,从阐释“情”范畴中的“移情”入手,强化琴乐旋律的律动感,调整琴曲音乐结构与指法编排,力求让琴乐之“情”更具感染力。并整理出诸如《欸乃》《潇湘水云》《渔樵问答》等一批极具中国传统音乐神韵的优秀作品,为古琴艺术在当代的传承与发展作出了不可磨灭的贡献。From the perspective of aesthetics and psychology,this paper first expounds the"emotion"of contemporary qin music,analyzes the influence of"rhythm"on"emotion"in qin music with specific cases,and construct the performance based on the"music preference"of contemporary qin musicians.It is the author’s opinion that although the interpretation of the"emotion"of contemporary qin music is influenced by western music,it does not hinder the expression of the verve of qin music,and the population of contemporary qin artists has made great contributions to the inheritance and development of ancient qin art through painstaking efforts.

关 键 词：古琴 移情 阐释 建构 

分 类 号：J632.31[艺术—音乐]