创造一条新的途径:《平剧旬刊》与大后方旧剧的救赎之路  

“Exploring a New Way”: Peking Opera Journal and the Salvation of Peking Opera in the Rear Area of Anti-Japanese War

作　　者：张志全[1] 康传梅 ZHANG Zhiquan;KANG Chuanmei(School of Literature,Chongqing Normal University,Chongqing 401331,China;Chongqing City Management College,Chongqing 401331,China)

机构地区：[1]重庆师范大学文学院,重庆401331 [2]重庆城市职业管理学院通识教育学院,重庆401331

出　　处：《重庆三峡学院学报》2022年第5期81-91,共11页Journal of Chongqing Three Gorges University

基　　金：重庆市社会科学规划项目“抗战时期大后方戏曲史料的整理与研究”(2018YBKZ10);国家社会科学基金艺术学项目“川剧理论批评史研究”(19BB026);重庆市教育委员会人文社会科学规划重点项目“川剧理论批评史研究”(19SKGH074)。

摘　　要：关于“旧剧”的论争发端于晚清的维新思潮,并伴随着社会革命的演进而不断深化,抗战局势以及特殊的文化语境,将“旧剧改革”引向更为复杂的层面。在大后方,以《平剧旬刊》为中心,形成一个由京剧票友、剧作家、剧人组成的群体。他们一方面坚守着自己的审美趣味,另一方面,面对抗战戏剧运动的感召以及京剧“背井离乡”的尴尬遭际,不得不开始思考京剧的生存境遇,在保有京剧传统韵味的前提下,探寻京剧的现代性与大众化之路。《平剧旬刊》作者群体对于京剧革新的考察,代表了大后方旧剧界曾经被忽略的一种戏剧观念与理论探索。他们对于京剧“艺术尺度”的坚持,也在一定程度上呼应着戏曲的现代化进程。People who engaged in “old opera reform” at an early stage were mainly divided into“new” and “old” factions. The anti-Japanese situation and the special cultural context led the reform to be more complicated. In the rear area, with the Peking Opera Journal(a 10-day periodical) as the center,a group composed of Peking opera fanciers, playwrights, and dramatists has been formed. On the one hand, they stick to their own aesthetic standards. On the other hand, facing with the inspiration of drama movement and the dilemma of fleeing away, they have to consider the survive of Peking opera and explore the modernity and popularization of Peking Opera under the prerequisite of maintaining the traditional charm of Peking opera. The investigation of the Peking Opera innovation by the author group of Peking Opera Journal represents the concept of drama and theoretical exploration that was once ignored by the old Peking Opera field in the rear area. As a matter of fact, their insistence on the“artistic standard” of Peking Opera also corresponds to the modernization process of opera to a certain extent.

关 键 词：旧剧改革 大后方 戏曲现代化 《平剧旬刊》 

分 类 号：I207.3[文学—中国文学]