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作 者:赵燕姿 张璨[1] ZHAO Yanzi;ZHANG Can(Huaiyin Normal University,Huai'an Jiangsu,223000,China)
机构地区:[1]淮阴师范学院,江苏淮安223000
出 处:《文化创新比较研究》2022年第20期125-128,共4页Comparative Study of Cultural Innovation
基 金:江苏高校“青蓝工程”苏教师函[2020]10号资助;2021年江苏省大学生创新创业训练计划项目“洪泽湖渔鼓舞传承人口述史料采集与整理研究”(项目编号:202110323040Y)。
摘 要:20世纪以来,世界各地历史古迹遭到破坏,通过联合国《保护世界文化自然遗产公约》,非遗得到抢救保护,中国非遗保护工作起步较晚,政府提出抢救第一、继承发展的非遗方针,强调传承发展开发利用。洪泽湖渔鼓最早来自古代萨满文化祭祀仪式萨满舞,经过近千年的传承成为地方民间舞蹈,在洪泽湖区自然环境下产生艺术形态是地方文化现象。洪泽湖鼓舞依附于祭祀仪式活动,舞蹈动作特点与区域风土人情密切联系。该文研究国家级非遗洪泽湖渔鼓舞祭祀文化,分析洪泽湖渔鼓舞发展现状,提出洪泽湖渔鼓舞非遗保护对策。Since the 20th century, historical sites around the world have been destroyed. Through the Convention for Protecting the World Cultural and Natural Heritage, the intangible cultural heritage has been rescued and protected.The protection of intangible cultural heritage in China started late. The government put forward the policy of rescue first, inheritance and development, emphasizing inheritance, development and utilization. Hongze Lake fishing drum originated from Shaman dance in sacrificial ceremony of the ancient Shaman culture. After nearly a thousand years of inheritance, it has become a local folk dance. It is a local cultural phenomenon to produce an artistic form in the natural environment of Hongze Lake area. Hongze Lake drum dance is attached to the sacrificial ceremony activities, and the dance movement characteristics are closely related to the regional customs. This paper studies the sacrificial culture of national intangible cultural heritage Hongze Lake fishing drum, analyzes the development status of it, and puts forward the protection countermeasures.
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