他者镜像打破下的自我话语重构——《壁毯》的文本分析  

Self-Discourse Reconstruction under the Breaking of the Mirror Image of the Other——Textual Analysis of Tapestry

作　　者：米文文 管季 黄清怡 MI Wenwen;GUAN Ji;HUANG Qingyi(School of Literature and Journalism,Jishou University,Jishou Hunan,416000,China)

机构地区：[1]吉首大学文学与新闻传播学院,湖南吉首416000

出　　处：《文化创新比较研究》2022年第21期24-27,共4页Comparative Study of Cultural Innovation

摘　　要：莉吉娅·特莱斯在短篇小说《壁毯》中于人物自我心理剖析中逐层拟构人格三界的意识形态发展暗示,小说中的壁毯如同人物借以完成自我建构的镜像一般,投射出文本深层的自我认同和自我寻找旨归。然而“自我”总是作为他者存在,受制于权欲、暴力的象征秩序,于自我话语拟构的蒙昧与觉醒中形成了巨大的反讽性张力。叙事声音最终于反复寻觅中打破镜像,实现了自我身份重建。In the short story Tapestry, Lygia Telles suggested the ideological development of the three realms of ideal personality layer by layer in the self-psychological analysis of the characters. The tapestry in the novel is like the mirror image through which the characters complete their self-construction, projecting the deep self-identity and selfseeking purview of the text. However, "ego" always exists as the other, subject to the symbolic order of power and violence, forming a huge ironic tension in the ignorance and awakening of self-discourse. The narrative voice finally breaks the mirror image in the repeated search and realizes the reconstruction of self-identity.

关 键 词：人格三界 他者 镜像 象征秩序 自我话语重构 

分 类 号：I106[文学—世界文学]