文化人、组织与革命宣传:延安美术体制研究  

Intellectuals, Organization and Revolution Publicity: Research on the Fine Arts System in Yan’an

作　　者：李朝霞 张译丹[3] Li Zhaoxia;Zhang Yidan

机构地区：[1]南通大学艺术学院 [2]南通大学现当代视觉艺术研究中心 [3]中国艺术研究院

出　　处：《美术》2022年第9期6-14,共9页Art Magazine

基　　金：江苏省社会科学基金项目“建党百年江苏画家作品中的乡村图像研究”(项目编号:21YSD016)阶段性研究成果;河南省哲学社会科学规划项目“建党百年绘画中的乡村叙事研究”(项目编号:2021BYS009)阶段性研究成果;教育部人文社会科学研究青年项目“解放区木刻版画的声音叙事研究(1937—1949)”(项目编号:19YJC760063)阶段性研究成果。

摘　　要：延安时期,作为“文化人”的美术工作者是抗战革命力量的重要组成部分。延安美术体制的形成和发展受到中国共产党和文化人之间关系的深刻影响;党通过把文化人纳入革命事业内部的管理策略,一方面,用制度的形式充分肯定文化人在革命中的地位和作用;另一方面,以充分吸收、尊重、管理、教育文化人的政策,不断推进相关管理体制的发展和完善。在此脉络里,美术社团机构也因此被“组织起来”。相应地,美术社团主办的革命宣传刊物以及开展的美术活动,遵照党的文艺政策所展开的政治逻辑对延安美术体制的形态建构产生了意义深远的影响。在延安美术体制形成的过程中,美术类文化人也逐渐在党的管理与教育中,成长为革命的美术工作者。During the Yan’an Period(1935-1948),artists,as intellectuals,were an important part of revolutionary forces in the War against Japanese Aggression.The fine arts system in Yan’an formed and developed under the profound influence of the relationship between the Communist Party of China(CPC) and intellectuals.The Party incorporated them into internal management of revolution,to fully recognize their role and status in revolution,and to constantly promote the development and improvement of relevant management systems through policies that absorb,respect,manage and educate them.Art clubs and institutions were included in this system as well.Therefore,revolution publicity periodicals and artistic activities of these societies and institutions,under the guidance of the Party’s literature and art policies,deeply influenced the establishment of the fine arts system in Yan’an.During this process,thanks to the management and education of the Party,intellectuals in the art circle gradually became artists who worked for revolution.

关 键 词：延安时期 文化人 革命宣传 美术体制 

分 类 号：J209[艺术—美术]