犍陀罗石刻中弥勒持“舍利瓶”的图像构成与主题释意  

Composition and Interpretation of a Stone Sculpture from Gandhara Featuring a Maitreya Holding a Bottle for Buddhist Relics

作　　者：白文[1] Bai Wen

机构地区：[1]西安美术学院

出　　处：《美术》2022年第9期104-111,共8页Art Magazine

摘　　要：公元2世纪左右犍陀罗出现的弥勒持瓶图像中的“瓶”既不是水瓶,也不是油壶、酒器,而是与佛陀涅槃相关的舍利容器。弥勒持“舍利瓶”图像结构分别对应解脱、彼岸,弥勒游走的世间,可视为通过“涅槃”认识世间或人生现象的本质而获得解脱,在这个意义上,弥勒与“舍利”构成了辩证的统一关系。The sculpture that emerged in around the 2 nd century in Gandhara features a Maitreya holding a bottle,which is not for water,oil or wine,but for Buddhist relics related to nirvana.Its composition demonstrates soteriological release from worldly suffering and the farther shore.It is believed that through nirvana,the Maitreya understands the essence of the world or life,and thus realizes the soteriological release from worldly suffering.In this sense,the Maitreya and Buddhist relics form dialectical unification.

关 键 词：弥勒 舍利 解脱 

分 类 号：J209[艺术—美术]