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作 者:黄凤霞 Huang Fengxia(Anhui University of Arts Hefei City,Anhui Province 230011)
机构地区:[1]安徽艺术学院音乐舞蹈系,安徽合肥230011
出 处:《内蒙古艺术学院学报》2022年第3期86-93,共8页Journal of Inner Mongolia Arts University
基 金:安徽省教育厅人文社会科学研究重大项目“新时代中国特色社会主义文艺思想视域下中国唱法研究”(项目编号:SK2018ZD072)阶段性研究成果;国家社会科学基金项目“宋代笔记考论”(项目编号:16BZW058)的系列研究论文。
摘 要:中国声乐歌唱事业在蓬勃发展的同时,其唱法理论建设亟待强化,在国际声乐体系共同体中的话语权需要提升。在全球化交流互鉴中,中国应该提炼出其富有传统和特色的唱法概念和科学理论体系。构建“中国唱法”科学理论体系,是新时代我国声乐艺术传承发展和声乐教学需要。从“三种唱法”到“中国唱法”是一脉相承的自然演化和升华。作者通过梳理近百年来音乐教育家和歌唱家们对“中国唱法”内涵的诠释和演绎的进程,概括出基本要义,并阐述了创新应充分吸收和借鉴美声唱法、民族唱法和流行唱法等唱法的优势来构建“中国唱法”科学理论体系的发展路径,并以之升华出相应的声乐科学理论,可以更有效地指导新时代的中国声乐实践。With the vigorous development of Chinese vocal music singing,the construction of its singing theory needs to be strengthened urgently,and the discourse power in the international vocal music system community needs to be enhanced.In the process of global exchanges and mutual learning,China should refine its traditional and distinctive singing concepts and scientific theoretical systems.Constructing the scientific theoretical system of Chinese singing is the need of the inheritance and development of Chinese vocal music art and vocal music teaching in the new era.It is a natural evolution and sublimation from Three Singing Methods to Chinese singing.Author combed through over the past century music educators and the singers to the connotation of the Chinese style of the process of interpretation and deduction,generalized the basic essence,and explained the innovation should fully absorb and draw lessons from Bel canto,Folk Singing and Popular singing of advantages to build developing route of Chinese singing of the scientific theory system,and to the sublimation of the corresponding vocal science theory in order to guide the practice of Chinese vocal music more effectively in the new era.
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