论豫剧唱腔中调式及调式运用分类与设计逻辑  

On the Classification and Design Logic of the Modes and Their Applications in the Singing of Henan Opera

作　　者：张广涛 ZHANG Guangtao(Henan Institute of Culture and Arts,Zhengzhou,Henan 450000,China)

机构地区：[1]河南省文化艺术研究院,河南郑州450000

出　　处：《贵州大学学报（艺术版）》2022年第5期65-81,共17页Journal of Guizhou University Art Edition

基　　金：国家社会科学基金艺术学重大项目“戏曲现代戏创作研究”(项目编号:18ZD05)。

摘　　要：豫剧唱腔中,不同调式所带来的色彩、情感各有差异。它是塑造音乐形象、抒发不同情感、推动唱腔发展的基本要素之一。在豫剧唱腔创作中,各调式的色彩及效果特点,对设计、分析、演唱、演奏都有十分重要的意义。有意识地厘清唱腔中调式本身所具有的色彩、情感等因素,是发挥唱腔“表情功能”的有效手段之一。In the singing of Henan opera, the features and emotions produced by different modes are different, which is one of the basic elements to shape the music image, express different emotions and promote the development of the singing. In the creation of Henan opera singing, the features and effects of each mode are of great significance to the design, analysis, singing and performance. It is one of the effective means to give full play to the “expression function” of the singing by consciously clarifying the feature, emotion and other factors of the mode itself in the singing.

关 键 词：豫剧唱腔 调式 色彩 情感 

分 类 号：J825[艺术—戏剧戏曲]