民间视阈下的巩义石窟北齐造像题记书法探究  

Research on the Calligraphy of Statue Inscriptions of the Northern Qi Dynasty in Gongyi Grottoes from the Folk Perspective

作　　者：董文强 Dong Wenqiang(Longdong University,Qingyang 745000)

机构地区：[1]陇东学院历史与地理学院,庆阳745000

出　　处：《新疆艺术学院学报》2022年第3期55-63,共9页Journal of Xinjiang Arts University

摘　　要：巩义石窟造像题记以北齐为最多,在北朝造像题记中风格独特,具有个性鲜明的民间艺术审美价值。以《沙弥道荣造像题记》为代表的北齐民间造像题记,是民间工匠在特定历史文化环境下继承北魏造像题记进行变革与创新的应制之作,代表北齐民间地域群体书风的典型风格,其风格特征主要表现为朴拙大方、简朴遒劲、随意自然、气势开张。在造像题记书法艺术形式、文化价值等方面都具有独特的研究意义。Gongyi Grottoes witnessed the largest number of statue inscriptions in the Northern Qi Dynasty. They are unique in style and have distinctive aesthetic value of folk art. The folk statue inscriptions of the Northern Qi Dynasty represented by The Inscription on the Statue of the Monk Daorong are the works that folk craftsmen produced in the specific historical and cultural context to make transformation and innovations on the basis of inheriting the statue inscriptions of the Northern Wei Dynasty. They represent the typical calligraphy style of the regional folk groups in the Northern Qi Dynasty. The style mainly features simplicity and generosity, plainness with vigor and spontaneous nature with imposing momentum. It has a unique research significance in the artistic form and cultural value.

关 键 词：巩义石窟 北齐 民间性 书法 

分 类 号：J292.1[艺术—美术] K239.24[历史地理—历史学]