论当代生态诗歌的四个发展维度  

On the Four Development Dimensions of Contemporary Ecological Poetry

作　　者：汪树东[1] 贺潇雨 WANG Shu-dong;HE Xiao-yu(School of Liberal Arts,Wuhan University,Wuhan,Hubei 430072,China)

机构地区：[1]武汉大学文学院,湖北武汉430072

出　　处：《湘潭大学学报（哲学社会科学版）》2022年第5期139-144,151,共7页Journal of Xiangtan University:Philosophy And Social Sciences

基　　金：2019年度国家留学基金项目“中国小说中的动物叙事,1978—2018”(201906275098);2017年度国家社会科学基金项目“中国当代生态文学史暨生态文学大系编纂(1978—2017)”(17BZW034)。

摘　　要：当代生态诗歌发展至今已四十多年了,取得了较为突出的成就,于坚、吉狄马加、李少君、华海、雷平阳、哨兵等诗人贡献了最为重要的代表性篇章。整体看来,当代生态诗歌出现了较为突出的四个发展维度:一是直面生态危机,展开生态批判;二是回归地方,呈现地方化的生态理想;三是接通历史文脉,重铸传统生态智慧;四是重建民族认同,镀亮少数民族生态智慧。对这四个维度的精准勾勒,可以帮助我们把握当代生态诗歌的整体面貌和核心主旨,也有利于推进中国当代文学的生态批评,促进生态文明的文化建设。The contemporary ecological poetry has been developing for more than 40 years and has made outstanding achievements.Yu Jian,Ji Dimajia,Li Shaojun,Hua Hai,Lei Pingyang,and other poets have contributed the most important representative pieces and chapters.On the whole,there are four prominent development dimensions of contemporary ecological poetry:First,facing the ecological crisis directly and launching ecological criticism;Second,returning to locality and presenting the ecological ideal of localization;Third,connecting the historical context and recasting the traditional ecological wisdom;Fourth,rebuilding national identity and highlighting the ecological wisdom of ethnic minorities.The accurate delineation of these four dimensions can help us grasp the overall appearance and core theme of contemporary ecological poetry,and also facilitate the progress of the ecological criticism of contemporary Chinese literature and promote the cultural construction of ecological civilization.

关 键 词：生态诗歌 生态批评 生态智慧 地方感 

分 类 号：I206[文学—中国文学]