恋爱故事包裹下的“自由魂”——以茅盾早期创作《野蔷薇》为中心  

A Free Soul Wrapped in Love Stories——Centered on Mao Dun’s Wild Rose

作　　者：黄乔生[1] 辛玲 HUANG Qiaosheng;XIN Ling(Beijing Lu Xun Museum,Beijing 100034;College of Literature,Hebei University,Baoding,Hebei 071002,China)

机构地区：[1]北京鲁迅博物馆,北京100034 [2]河北大学文学院,河北保定071002

出　　处：《河北大学学报（哲学社会科学版）》2022年第5期91-99,共9页Journal of Hebei University(Philosophy and Social Science)

基　　金：国家社会科学基金一般项目“鲁迅的新文学收藏研究”(17BZW145)。

摘　　要：“大革命”落潮之后,茅盾陷入对前途的迷惘状态。他反思自己的革命历程,对形成于五四时期的个性解放思想有了新的认识,随之对革命中出现的问题进行了剖析。避居日本期间,一种革命“旁观者”的身份方便他以一种理性客观的态度,总结刚刚经历过的革命运动,扫除革命者中残存的封建思想、促进阶级觉悟成为刺激他创作的主要动力。在《野蔷薇》中,他以五则婚恋故事分析了妨碍革命者实现思想独立的阻力,表达了协调“群”与“己”关系的愿望。After the ebb tide of the “Great Revolution”,Mao Dun fell into a state of confusion and disillusionment about his future.He reflected on his revolutionary process, had a new understanding of the personality emancipation thought formed in the May 4 th period, and then analyzed the problems in the revolution.During his stay in Japan, the identity of a revolutionary “bystander” made him summarize the revolutionary movement he had just experienced with a rational and objective attitude, eliminate the remaining feudal thoughts among the revolutionaries, and promote class consciousness, which became the main driving force to stimulate his creation.In Wild Rose,he analyzed the resistance that prevented the revolutionaries from realizing their ideological independence with five marriage and love stories, and expressed his desire to coordinate the relationship between “group” and “oneself”.

关 键 词：《野蔷薇》 个性解放 自由 阶级斗争 

分 类 号：I206.6[文学—中国文学]