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作 者:刘建欣[1] 张含 LIU Jian-xin;ZHANG Han(School of Literature,Heilongjiang University,Harbin 150080,China;College of Literature,Shandong University,Jinan 250100,China)
机构地区:[1]黑龙江大学文学院,黑龙江哈尔滨150080 [2]山东大学文学院,山东济南250100
出 处:《东北师大学报(哲学社会科学版)》2022年第4期56-62,共7页Journal of Northeast Normal University(Philosophy and Social Science Edition)
基 金:黑龙江省省属高等学校基本科研业务费项目(2020-KYYWF-0920);黑龙江大学杰出青年科学基金(JC2021W2)。
摘 要:毛晋《六十种曲》的编选展现了其强烈的文人意识尤其是“立言”追求。毛晋特别标举戏曲之地位,肯定其与经史、诗文有同样的价值。戏曲感染力较强、题材新奇、擅于讽谏等特点,是毛晋践行“立言”追求、认可其作为载体的重要原因。毛晋强调戏曲的教化思想,不仅对教化剧做了特别的安排,还从多层面来阐释教化的具体内容,突出教化过程中的情感融入,以实现化民成俗、教化育人之目的。毛晋亦采取了一系列策略使戏曲化俗为雅,达成其“立言”的终极目的,如通过对编选时间、空间及心态的修辞化描述强调戏曲编选行为本身之雅,在版式设计诸方面亦展现清雅之旨趣。通过编选戏曲选本实现“立言”追求并不是毛晋的个人行为,而是明末清初一批有识之士实现名山事业的共同选择,是此期戏曲发展繁荣的原因之一。The compilation of Mao Jin’s Sixty Operas shows his strong literati consciousness,especially the pursuit of“manifesto”.Mao Jin particularly elevates the status of opera,affirming that it has the same value as classics,history and poetry.The characteristics of opera,including its strong appeal,novel subjects,and good satire,are important reasons for Mao Jin to practice the pursuit of“manifesto”and to recognize it as a carrier.Mao Jin emphasizes the enlightenment thought of operas.He not only makes special arrangements for enlightenment operas,but also explains the specific content of enlightenment from multiple aspects,highlighting the emotional integration in the process of enlightenment,so as to achieve the purpose of moralizing and educating people.Mao Jin also adopts a series of strategies to transform the vulgarity into elegance of the opera,to achieve his ultimate goal of“manifesto”.For example,he emphasizes the elegance of the opera editing behavior itself through the rhetorical description of the editing time,space and mentality,and also shows the purport of elegance in the layout design of the work.It is not Mao Jin’s personal behavior to realize the pursuit of“manifesto”by compiling opera anthology,but the common choice of a group of intellectuals to realize the commitment to literature in the late Ming Dynasty and early Qing Dynasty,which is one of the reasons for the prosperous development of opera in this period.
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