被埋没的诗人“命运”——新时期以来食指诗歌研究综述  

The Buried Poet "Fate": A Research Summary on Shizhi’s Poetry Since the New Era

作　　者：李嘉欣[1] Li Jiaxin(School of Literature and Joumalism,Changsha University of Science&Technology,Changsha,Hunan 410114,China)

机构地区：[1]长沙理工大学文学与新闻传播学院,湖南长沙410114

出　　处：《长沙理工大学学报（社会科学版）》2022年第5期117-124,共8页Journal of Changsha University of Science and Technology：Social Science

基　　金：教育部高校人文社会科学重点研究基地重大项目(17JJD750002)。

摘　　要：新时期以来,文学界对诗人食指的“打捞”或“挖掘”经历了20世纪80年代至90年代初的沉潜期、20世纪90年代中后期至21世纪初的热潮期以及21世纪初期以来的延续与新变期三个阶段。在历史现场赋予诗歌的特殊魅力消散后,有待进一步对食指诗歌作出客观公正的整体性评价。Since the new era, the "salvage" or "excavation" of poet Shizhi in literary world has gone through three stages: a submersion period from the 1980 s to the early 1990 s, a boom period from the mid-to-late 1990 s to the early 21 st century, and a continuation and new changes period from the beginning of the 21 st century to the present. After the special charm given to poetry by the historical scene dissipates, it is necessary to further make an objective and fair overall evaluation on Shizhi’s poetry.

关 键 词：食指 朦胧诗 地下文学 埋没 挖掘 

分 类 号：I207.25[文学—中国文学]