游于艺:王褒《洞箫赋》及其艺术人生  

Wandering in Art: Wang Bao’s Dongxiao Fu and His Artistic Life

作　　者：蔡亚玮 CAI Yawei(School of Liberal Arts,Shaanxi Normal University,Xi’an,Shaanxi 710119)

机构地区：[1]陕西师范大学文学院,陕西西安710119

出　　处：《绍兴文理学院学报》2022年第9期25-31,共7页Journal of Shaoxing University

基　　金：中央高校基本科研业务费专项资金资助课题“西汉中后期士人精神史和文学流变史研究”(2019TS095)。

摘　　要：王褒以文采秀发、炜耀一代之文学才情显于汉宣帝之时。接续于汉初梁府士人优游作赋之后,王褒再次以游戏笔墨和音乐主题开启了士人“游于艺”之文学书写,突出表现了以文学创作为乐的文士意识。王褒从作《四子讲德论》《圣主得贤臣颂》的政治文本转向作《洞箫赋》的文学文本,表现出士人开始由颂扬大汉之德的政治体验走向专注内在心灵的艺术体验。游走于艺术空间的王褒,为沉闷的士林抹上一抹亮色,为后世士人开辟了一条走向艺术之路。Wang Bao shone with his literary talent during the reign of Emperor Xuan.Following the Fu written by the intellectuals of Liangfu in the early Han dynasty,Wang Bao once again started the humorous literary writing of intellectuals wandering in art with the theme of music,highlighting the consciousness of literati who took pleasure in literary creation.Wang Bao turned from the political texts of Si Zi Jiang De Fu to the literary text of Dongxiao Fu,which shows that intellectuals at that time began to shift from the political experience extolling the virtues of the Han dynasty to the artistic experience focusing on the inner heart.Walking in the art space,Wang Bao put a bright color on the dull scholar forest and opened up a literary and artistic path towards the art for the later intellectuals.

关 键 词：王褒 《洞箫赋》 政治人生 艺术人生 

分 类 号：I206.2[文学—中国文学]