论李渔《十二楼·合影楼》中的影恋书写  

On the writing of “shadow love” in Li Yu’s The Twelfth Floor·Group Photo Building

作　　者：王毅 WANG Yi(School of Liberal Arts,Yangzhou University,Yangzhou 225002,China)

机构地区：[1]扬州大学文学院,江苏扬州225002

出　　处：《镇江高专学报》2022年第4期17-20,共4页Journal of Zhenjiang College

摘　　要：《合影楼》完整构建了珍生与玉娟二人性心理从“初元之子母认同”至影恋的过程。人物语言和情诗唱和较好地表现了男女主人公在影恋中的不同发展程度与二人对待影恋的不同态度。李渔肯定“情”可以冲破传统的道德观念,但认为需借助非常规手段,使“情”符合传统伦理道德观念。从孤独恋爱发展至两性恋爱,体现了李渔在处理影恋题材时求新的创作态度。Group Photo Building completely constructs the process of the sexual psychology of Zhensheng and Yujuan from “the identification of the children and the mother in the early Yuan Dynasty” to the shadow love. The language of the characters and the singing of love poems better show the evolution of the hero and heroine’s shadow love and their different attitudes towards shadow love. Li Yu affirms that “emotion” can break through traditional moral concepts, but believes that unconventional means are needed to make “emotion” conform to traditional ethical and moral concepts. The development from lonely love to love between the two sexes reflects Li Yu’s creative attitude in dealing with the theme of shadow love.

关 键 词：《十二楼》 《合影楼》 李渔 影恋 

分 类 号：I207.419[文学—中国文学]