从美的本质到审美活动:当代中国美学研究对象转换问题再审视  

From the Essence of Beauty to the Aesthetic Activity:Re-examine the Transformation of the Research Object of Contemporary Chinese Aesthetics

作　　者：范永康[1] Fan Yongkang

机构地区：[1]绍兴文理学院人文学院,浙江绍兴312000

出　　处：《中州学刊》2022年第9期155-161,共7页Academic Journal of Zhongzhou

基　　金：国家社会科学基金项目“马克思主义经典文艺思想中国化当代化研究”(17ZDA269)。

摘　　要：当代中国美学将研究对象从“美的本质”转向“审美活动”,研究重心从“美”转向“审美”,哲学基础从认识论、实践论转向现象学和存在论,颠覆了主客二分的认识论美学模式,使得美学从附属于哲学的尴尬地位中独立出来。但是,当代中国美学不应完全否定认识论美学和实践论美学在“美的本质”方面所取得的成就,过分迷信现象学和海德格尔的存在论哲学,而应当坚守历史唯物主义基本原理,以此为底线,兼容其他美学方法论,走出一条具有中国特色的当代美学创新之路。Contemporary Chinese aesthetics has shifted its research object from“the essence of beauty”to“aesthetic activities”,its research center from“beauty”to“aesthetics”,and its philosophical basis from epistemology and practice to phenomenology and ontology,overturning the epistemological aesthetic model of the dichotomy of subject and object,making aesthetics independent from the embarrassing position attached to philosophy.However,Contemporary Chinese aesthetics should not completely deny the achievements of epistemological aesthetics and practical aesthetics in the“essence of beauty”,but instead submit to phenomenology and Heidegger’s ontological philosophy.Instead,it should adhere to the basic principles of historical materialism,take this as the bottom line,and then integrate other aesthetic methodologies,and walk out of a path of contemporary aesthetic innovation with Chinese characteristics.

关 键 词：美的本质 审美活动 研究对象 认识论美学 实践论美学 

分 类 号：B83[哲学宗教—美学]