俞寄凡的艺术学译作和著述版本及其学术价值考论  

A Study on Versions of Yu Jifan’s Translated and Writing Works in Science of Art and Their Academic Value

作　　者：郑立君[1] 郑冰雪 ZHENG Li-jun;ZHENG Bing-xue(School of Fine Arts,Hangzhou Normal University,Hangzhou 310012,China;China Textile&Apparel Press,Beijing 100124,China)

机构地区：[1]杭州师范大学美术学院,浙江杭州310012 [2]中国纺织出版社有限公司,北京100124

出　　处：《美育学刊》2022年第5期82-90,共9页Journal of Aesthetic Education

摘　　要：在中国现代艺术学学科发展史上,俞寄凡的学术贡献是不能匆匆略过的。他一生的译作和著述成果颇丰,其中有在日本留学期间的译作,有的是作为出版社的丛书之一出版和再版的。对其译作和著述版本的梳理与考辨,有助于深入研究他的艺术学研究的思想、方法、目的和学术价值,有助于当代与未来中国艺术学学科的建构。俞寄凡艺术学译作和著述的思想内容可归纳为艺术学基础理论、艺术史、小学美术教育和美术技法理论四个方面,体现出了俞寄凡以艺术学理论为基础,将艺术学理论、美术教育理论与艺术实践相结合的研究思想与方法。In the history of the development of Chinese modern art discipline, Yu Jifan’s academic contributions have been universally recognized, including the translation during his study in Japan, some of which were published and republished as a part of the series. Therefore, the study on versions of his translated and writing works will help scholars have a deep exploration on Yu’s artistic thoughts, methods, purpose and academic value.Moreover, it is expected to make contributions to the contemporary and future Chinese art discipline construction. The ideological content of Yu’s masterpieces can be summarized into four aspects: basic theory of art, art history, art education in primary schools and theory of art techniques, which reflects his research ideas and methods of combining art theory, art education theory and art practice on the basis of art theory.

关 键 词：俞寄凡 译作 著述 版本 艺术学 

分 类 号：J203[艺术—美术]