时代话语环境与陈子昂的“汉魏风骨”指向  

Discourse Environment of and Direction of Chen Ziang’s Character of Han and Wei Dynasies

作　　者：朱其欢 ZHU Qi-huan(School of Humanities,Shanghai Normal University,Shanghai 200030,China)

机构地区：[1]上海师范大学人文学院,上海200030

出　　处：《辽东学院学报（社会科学版）》2022年第4期90-95,共6页Journal of Liaodong University：Social Science Edition

基　　金：国家社会科学基金重点项目“中古书籍制度文献整理及其与文学之关系研究”(21AZW006)。

摘　　要：初唐陈子昂大力提倡“汉魏风骨”,积极推进诗歌改革。从传统意义上说,汉魏风骨是陈子昂对齐梁诗歌的批评,即只一味的追求文辞而忽视了作品本身的情志内容。然而联系陈子昂当时生活的环境,可以发现对文人的批评才是陈子昂“风骨”论的重点。陈子昂认为文人应该和其在《修竹诗》中描绘的竹子一样,坚贞有气节。《与东方左史虬修竹篇序》其实是陈子昂展现其政治报负的重要宣言。In the early Tang Dynasty, Chen Ziang advocated the character of the Han and Wei dynasties and actively promoted poetry reform. In the traditional sense, Chen Ziang criticize the poetry of the Qi and Liang dynasties by the character of the Han and Wei dynasties, which simply pursues the words and ignores the emotional content of the work. However, according to the social environment that Chen Ziang lived, it can be found that the criticism of the literati is the focus of Chen Ziang’s theory about the character. Chen Ziang believes that the literati should be as strong as the bamboo depicted in his poem of Xiuzhu. Preface to Xiuzhu Poem of Zuoshi Dongfang Ran is Chen Ziang’s important declaration to build his political blueprint.

关 键 词：汉魏风骨 陈子昂 文人 气节 

分 类 号：I206.2[文学—中国文学]