史实辨析与史观反思——“第五代”再研究  

Discrimination of Historical Facts and Reflection on Historical Views——Revisiting the “Fifth Generation”

作　　者：李立 LI Li(Research Institute of Literature,Sichuan Academy of Social Sciences,Chengdu 610072,China;School of Literature and Journalism,Sichuan University,Chengdu 610207,China)

机构地区：[1]四川省社会科学院文学所,成都610072 [2]四川大学文学与新闻学院,成都610207

出　　处：《上海大学学报（社会科学版）》2022年第4期42-51,共10页Journal of Shanghai University(Social Sciences Edition)

基　　金：国家社会科学基金艺术学重大项目(20ZD19)。

摘　　要：现有中国电影史研究中存在着对“第五代”的偏爱,对“第五代”再研究需要从史实辨析和史观反思两个维度来进行。史实辨析是指重新思考对“第五代”做出的狭义和广义之分,在整体观视野下分析“第五代”所受到的多重影响,充分认识到“第五代”自身的复杂性和矛盾性。史观反思是指重写电影史需要反思对“第五代”的偏爱,反思电影史写作的选择性、目的性和工具性。唯有如此,重写电影史才会成为令人信服、还原历史、具有思想穿透力的历史。A preference for the“Fifth Generation”is present in the researches of Chinese film history.Revisiting the“Fifth Generation”calls for discriminating historical facts and reflecting on historical views. To discriminate historical facts, it means rethinking the differences between narrow and broad sense of the“Fifth Generation”, analyzing the multiple influences on the“Fifth Generation”from the perspective of a holistic perspective, and fully understanding the complexities and contradictions within the“Fifth Generation”. To reflect on historical views, it means reflecting on the preference for the“Fifth Generation”in“rewriting film history”and on the selectivity, purpose and instrumentality of the writing of film history. Only in this way can“the rewriting of film history”become convincing, capable of restoring history and a history with penetrating thought.

关 键 词：第五代 再研究 重写80年代 重写电影史 

分 类 号：J09[艺术—艺术理论]