中国现当代诗歌中的“北京形象”迁移——从文化符号到地理坐标  

The Migration of the “Beijing Image” in Chinese Modern and Contemporary Poetry: From Cultural Symbols to Geographical Coordinates

作　　者：牛金霞 张桃洲[1] NIU Jin-xia;ZHANG Tao-zhou

机构地区：[1]首都师范大学文学院

出　　处：《北京社会科学》2022年第10期55-62,共8页Social Sciences of Beijing

基　　金：国家社会科学基金重大项目(20&ZD284)——现代汉诗的整体性研究。

摘　　要：诗学文本中城市形象的迁移所具备的话语潜能,不仅能够开发出地域美学的建构意图,也关系着文化权力结构的修改过程。通过梳理中国新诗的发展线索发现,“北京”从各个重要的历史节点中脱身而出的诗学形象,与新诗发育中的阶段性特征形成了奇妙的互文。“北京形象”在新诗中经历了三次明显的迁移:一是作为隐喻符号,从强调“文化”滑向对“国家、乡土”的强调;二是作为意识形象,从被附加“大语境”转为现代文化的“内核引领者”;三是在视觉文化的影响下,表现出由视觉景观向自然景观的还原。“北京形象”的审美迁移话题背后,关联着这座城市在不同历史阶段如何进行自我安放等诸话题。The discourse potential of the migration of city image in poetic texts can not only develop the construction intention of regional aesthetics, but also relate to the revision process of cultural power structure. By combing through the development of Chinese Modern and Contemporary Poetry, the poetic image of “Beijing” emerging from each important historical node forms a wonderful inter textuality with the stage characteristics of the development of new poetry.“Beijing Image”, has experienced three obvious periods in Chinese Modern and Contemporary Poetry. Firstly, as a metaphorical symbol, turn from emphasizing “Culture” to emphasizing “Country and local”;Secondly, as an abstract consciousness and image, change form representing the “big context” to representing the “core leader” of the modern and contemporary culture;Thirdly, under the influence of visual culture, it shows the restoration from visual landscape to natural landscape. Behind the aesthetic transfer of “Beijing”, there are many related topics such as how to settle down itself in the different historical stages of the city.

关 键 词：中国现当代诗歌 北京书写 北京形象 

分 类 号：I207.25[文学—中国文学]