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作 者:赵继红[1] 陈子瑄 ZHAO Jihong;CHEN Zixuan(College of Literature,Shanxi Normal University,Taiyuan 030000,China)
出 处:《大连大学学报》2022年第5期24-31,共8页Journal of Dalian University
基 金:山西省一流课程项目“《唐诗与三晋》建设”(K2021111)。
摘 要:“庄老告退,山水方滋”是刘勰评述晋宋诗风转变之语。根据对山水诗性质的界定和代表人物的出现,山水诗作为一代新诗歌风尚应出现在宋初永嘉时期。其兴起则和“庄老”有着莫大关系。而“庄老”不仅指代玄言诗,而且包括老庄思想。由于玄言诗是在玄谈基础上形成,而玄谈后期专注于自己形式的发展,不再注重探讨老庄玄理,故而两者之间产生分离,所以玄言诗和老庄思想对“山水诗”的影响也不能一以概之。宋初山水诗虽留有玄言的成分,但不影响“山水方滋”的局面,这多是由于当时文学中摘句欣赏和批评的原因,使得文人有意识地规避不可取之处,而山水之局面也由此形成。"Landscape poems become popular after school of Zhuang Zi and Lao Zi retreated" is Liu Xie’s comment on the transformation of poetic styles in Jin and Liu Song dynasties. According to the definition of landscape poetry and its representative poets, landscape poetry as a new fashion of poetry style should form in Yongjia period in the early Liu Song Dynasty. It is strongly connected with "Zhuang Zi and Lao Zi" which refers to not only metaphysical poetry, but also the thoughts and aesthetics. Since Metaphysical Poetry was formed based on metaphysical talk which, however, did not focus on metaphysics in its later period, the two separated at last. So, it is hard to define the influence of Metaphysical Poetry and "Zhuang Zi and Lao Zi" on "landscape poetry". Although the landscape poetry in the early Liu Song Dynasty included some metaphysics, which was mostly due to the literati’s appreciation and criticism at that time, it did not affect "the rise of landscape poetry". Therefore, the landscape poetry began to become popular.
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