从《女武神》看瓦格纳乐剧理念的结构化呈现  

The Structured Presentation of Wagner’s Concept of Musical Drama Seen from The Valkyrie

作　　者：赵璐璐 Zhao Lulu

机构地区：[1]南京艺术学院博士后科研流动工作站,江苏南京210000

出　　处：《艺术探索》2022年第5期93-98,共6页Arts Exploration

基　　金：2018年度国家社科基金艺术学一般项目“‘歌剧思维’中的视觉唤起研究”(18BD053)。

摘　　要：瓦格纳突破传统歌剧的音乐结构形式,以整体性结构思维统摄歌剧诸元素。《尼伯龙根的指环》第二幕《女武神》是体现其乐剧理念的代表作。该作由戏剧主导音乐结构,视觉呈现服从于音乐思维,视觉和听觉实现共时互动,成为瓦格纳乐剧理念中完整结构化的美的范型。Wagner broke through the musical structure of traditional drama and used holistic structural thinking to control all of its elements. Die Walküre(German: The Valkyrie), the second act of Der Ring des Nibelungen(German:The Ring of the Nibelung), is a representative work that embodies his musical concept. The musical structure of The Valkyrie is dominated by drama and becomes a complete and structured model of beauty in Wagner’s dramatic ideal, in which the visual presentation is subordinate to musical thinking, and a synchronic interaction binds the visual and auditive.

关 键 词：瓦格纳 《女武神》 乐剧理想 视觉呈现 音乐思维 

分 类 号：J832[艺术—戏剧戏曲] J617.2